Monday, February 24, 2014

yamaha psr s 750







PSRS750


Specs

Size/Weight

Dimensions Width 1,002 mm (39 7/16")
Height 148 mm (5 13/16")
Depth 437 mm (17 3/16")
Weight Weight 11 kg (24 lbs., 4 oz.)

Control Interface

Keyboard Number of Keys 61
Type Organ
Touch Response Hard 2, Hard 1, Medium, Soft 1, Soft 2
Other Controllers Pitch Bend Yes
Modulation Yes
Multi Pads 126 banks x 4 Pads
Display Type B/W LCD
Size 5.7 inch (320 x 240 dots STN QVGA )
Contrast Yes
Language English, German, French, Spanish, Italian
Panel Language English

Voices

Tone Generation Tone Generating Technology AWM Stereo Sampling
Polyphony Number of Polyphony (Max.) 128
Preset Number of Voices 678 Voices + 28 Drum/SFX Kits + 480 XG Voices + GM2 + GS (for song playback)
Featured Voices 38 Super Articulation Voices, 18 Mega Voices, 24 Sweet! Voices, 46 Cool! Voices, 29 Live! Voices, 10 Organ Flutes!
Expandability Expansion Voice Yes (approx. 64 MB max.)
Editing Voice Set
Part Right 1, Right 2, Left
Compatibility XG, XF, GS, GM, GM2

Effects

Types Reverb 44 Presets + 3 User
Chorus 71 Presets + 3 User
DSP DSP 1: 295 Presets + 3 User, DSP 2-4: 128 Presets + 10 User
Master EQ 5 Presets + 2 User
Part EQ 28 Parts (Right 1, Right 2, Left, Multi Pad, Style x 8, Song x 16)
Mic Effects -
Vocal Harmony Number of Presets -
Number of User Settings -
Vocal Effect -

Accompaniment Styles

Preset Number of Preset Styles 325
Featured Styles 295 Pro, 30 Session
Fingering Single Finger, Fingered, Fingered On Bass, Multi Finger, AI Fingered, Full Keyboard, AI Full Keyboard
Style Control INTRO x 3, MAIN VARIATION x 4, FILL x 4, BREAK, ENDING x 3
Other Features Music Finder 1,200 Records
One Touch Setting (OTS) 4 for each Style
File Format Style File Format, Style File Format GE
Expandability Expansion Style Yes
Expansion Audio Style -

Songs

Preset Number of Preset Songs 5
Recording Number of Songs Unlimited (depending on USB flash memory capacity)
Number of Tracks 16
Data Capacity approx. 300 KB/Song
Recording Function Quick Recording, Multi Recording, Step Recording
Compatible Data Format Playback SMF (Format 0 & 1), XF
Recording SMF (Format 0)

Functions

Registration Number of Buttons 8 presets/bank (unlimited number of banks, depending on USB flash memory capacity)
Control Registration Sequence, Freeze
Lesson/Guide Lesson/Guide Follow Lights, Any Key, Karao-Key, Your Tempo
Performance Assistant Technology (PAT) Yes
Demo/Help Demonstration Yes
USB Audio Recorder Playback .wav
Recording .wav
Overall Controls Metronome Yes
Tempo Range 5 – 500, Tap Tempo
Transpose -12 – 0 – +12
Tuning 414.8 – 440 – 466.8 Hz
Octave Button Yes
Scale Type 9 Presets
Miscellaneous Direct Access Yes
Text Display Function Yes
Wallpaper Customization -
Voices Voice Creator Yes
Harmony/Echo Yes
Panel Sustain Yes
Mono/Poly Yes
Voice Information Yes
Styles Style Creator Yes
Style Recommender Yes
OTS Information Yes
Songs Song Creator Yes
Score Display Function Yes
Lyrics Display Function Yes
Multi Pads Multi Pad Creator Yes
USB Audio Time Stretch -
Pitch Shift -
Vocal Cancel -

Storage and Connectivity

Storage Internal Memory approx. 1.9 MB
External Drives USB Flash Memory, etc. (via USB to DEVICE)
Internal Memory (for Expansion Pack) approx. 64 MB
Connectivity DC IN 16V
Headphones Yes
FOOT PEDAL (optional) Switch or Volume x 2
Microphone -
MIDI In/Out
AUX IN Yes
OUT PUT (R, L/L+R)
VIDEO OUT -
USB TO DEVICE Yes
USB TO HOST Yes

Amplifiers and Speakers

Amplifiers 15 W x 2
Speakers 13 cm + 5 cm (x 2)

Power Supply

Power Supply PA-300C or an equivalent recommended by Yamaha
Power Consumption 13 W
Auto Power Off Function Yes

Accessories

Included Accessories AC Adaptor PA-300C

Multi Pads

Preset Number of Multi Pad Banks 123 banks x 4 Pads
Audio Audio Link Yes

yamaha psr S 950



Specs

Size/Weight

Dimensions Width 1,002 mm (39 7/16")
Height 148 mm (5 13/16")
Depth 437 mm (17 3/16")
Weight Weight 11.5 kg (25 lbs., 6 oz.)

Control Interface

Keyboard Number of Keys 61
Type Organ
Touch Response Hard 2, Hard 1, Medium, Soft 1, Soft 2
Other Controllers Pitch Bend Yes
Modulation Yes
Multi Pads 126 banks x 4 Pads
Display Type Color LCD
Size 5.7 inch (320 x 240 dots TFT QVGA )
Color Color
Contrast -
Language English, German, French, Spanish, Italian
Panel Language English

Voices

Tone Generation Tone Generating Technology AWM Stereo Sampling
Polyphony Number of Polyphony (Max.) 128
Preset Number of Voices 786 Voices + 33 Drum/SFX Kits + 480 XG Voices + GM2 + GS (for song playback)
Featured Voices 62 Super Articulation Voices, 23 Mega Voices, 27 Sweet! Voices, 64 Cool! Voices, 39 Live! Voices, 20 Organ Flutes!
Expandability Expansion Voice Yes (approx. 64 MB max.)
Editing Voice Set
Part Right 1, Right 2, Left
Compatibility XG, XF, GS, GM, GM2

Effects

Types Reverb 44 Presets + 3 User
Chorus 106 Presets + 3 User
DSP DSP 1: 295 Presets + 3 User, DSP 2-4: 295 Presets + 10 User
Master EQ 5 Presets + 2 User
Part EQ 28 Parts (Right 1, Right 2, Left, Multi Pad, Style x 8, Song x 16)
Mic Effects Noise Gate x 1, Compressor x 1, 3Band EQ x 1
Vocal Harmony Number of Presets 44
Number of User Settings 10
Vocal Effect 23

Accompaniment Styles

Preset Number of Preset Styles 408
Featured Styles 25 +Audio, 1 FreePlay, 350 Pro, 32 Session
Fingering Single Finger, Fingered, Fingered On Bass, Multi Finger, AI Fingered, Full Keyboard, AI Full Keyboard
Style Control INTRO x 3, MAIN VARIATION x 4, FILL x 4, BREAK, ENDING x 3
Other Features Music Finder 2,500 Records
One Touch Setting (OTS) 4 for each Style
File Format Style File Format, Style File Format GE
Expandability Expansion Style Yes
Expansion Audio Style Yes (approx. 64 MB max.)

Songs

Preset Number of Preset Songs 5
Recording Number of Songs Unlimited (depending on USB flash memory capacity)
Number of Tracks 16
Data Capacity approx. 300 KB/Song
Recording Function Quick Recording, Multi Recording, Step Recording
Compatible Data Format Playback SMF (Format 0 & 1), XF
Recording SMF (Format 0)

Functions

Registration Number of Buttons 8 presets/bank (unlimited number of banks, depending on USB flash memory capacity)
Control Registration Sequence, Freeze
Lesson/Guide Lesson/Guide Follow Lights, Any Key, Karao-Key, Your Tempo
Performance Assistant Technology (PAT) Yes
Demo/Help Demonstration Yes
USB Audio Recorder Playback .wav, .mp3
Recording .wav
Overall Controls Metronome Yes
Tempo Range 5 – 500, Tap Tempo
Transpose -12 – 0 – +12
Tuning 414.8 – 440 – 466.8 Hz
Octave Button Yes
Scale Type 9 Presets
Miscellaneous Direct Access Yes
Text Display Function Yes
Wallpaper Customization Main, Lyrics
Voices Voice Creator Yes
Harmony/Echo Yes
Panel Sustain Yes
Mono/Poly Yes
Voice Information Yes
Styles Style Creator Yes
Style Recommender Yes
OTS Information Yes
Songs Song Creator Yes
Score Display Function Yes
Lyrics Display Function Yes
Multi Pads Multi Pad Creator Yes
USB Audio Time Stretch Yes
Pitch Shift Yes
Vocal Cancel Yes

Storage and Connectivity

Storage Internal Memory approx. 6.7 MB
External Drives USB Flash Memory, etc. (via USB to DEVICE)
Internal Memory (for Expansion Pack) approx. 64 MB
Connectivity DC IN 16V
Headphones Yes
FOOT PEDAL (optional) Switch or Volume x 2
Microphone Yes
MIDI In/Out
AUX IN Yes
OUT PUT (R, L/L+R)
VIDEO OUT Yes
USB TO DEVICE Yes
USB TO HOST Yes

Amplifiers and Speakers

Amplifiers 15 W x 2
Speakers 13 cm + 2.5 cm dome tweeter (x 2)

Power Supply

Power Supply PA-300C or an equivalent recommended by Yamaha
Power Consumption 16 W
Auto Power Off Function Yes

Accessories

Included Accessories AC Adaptor PA-300C

Multi Pads

Preset Number of Multi Pad Banks 126 banks x 4 Pads
Audio Audio Link Yes
PSRS950

pa600





korg-pa600-head

Keyboard 61 keys with Velocity
Sounds
Factory: More than 950 (including Stereo Piano and GM 2 Sounds), 64 Drum Kits
User: 256 Sounds, 128 Drum Kits
Dynamic Nuance Control (DNC) Technology with Articulations
Full editing of Sounds and Drum Kits
Realtime sound control using assignable Switches
Tone Generator
128 voices - Filters with Resonance
PCM User Memory
96 MB
Effects & EQ
4 Stereo Master FX / 125 Effects types
Three band EQ for each track
Limiter - Master 4 band Parametric EQ
Controllers
Joystick – 2 Assignable Switches
Styles

Factory: More than 360 preloaded Styles, freely reconfigurable
User: Up to 1,200 available Style locations including the Favorite/User banks
Structure
Eight Style tracks, 4 Single Touch Settings and one Style Performance per Style
Style controls
3 Intros, 4 Variations, Break, 3 Endings, Autofill (4 fills), Synchro Start/Stop, Tap Tempo/Reset, Manual Bass, Bass Inversion, Memory, Accompaniment Mute, Snare & Kick Designation, STS Mode, Chord Sequencer
Others
Guitar Mode 2, Parallel and Fixed NTT, Style Record with Step Record, Track and Event Edit functions
Performance/STS
320 Realtime Performance locations
STS: Memorize Realtime tracks
Up to 4 x Styles, up to 4 x SongBook entries
My Setting special Performance
Realtime Tracks
Four Keyboard tracks (Upper 1, 2, 3, Lower)
Pads
4 Pad tracks + Stop button – Pad Record
Song Play
Single Player with Select, Start/Stop, Home, Rewind and Fast Forward controls
Jukebox function - Compatible with SMF (formats 0 and 1) and MP3 with Vocal Remover -
Lyrics (compatible with CDG), Score, Marker
Display
7” 800 x 480 TFT Graphical Color TouchView
Sequencer
Quick Record (Backing Sequence), Multitrack and Step Record functions
Full featured sequencer - 16 tracks - Up to 100.000 events - SMF format
Song Book
Fully programmable music database, based on Styles, SMF, Karaoke, MP3 with automatic selection of Style Play and Song Play modes - User-definable custom lists - Filtering options
Search
Style, Song, Performance, SongBook, Sound and Lyrics TXT
Compatibility
“i-Series": Style
“Pa series”: Style, Performance, Sound, PCM, Song, SongBook and Pad
General Controls
Master Volume, Real Time-Acc/Seq Balance Volume, Ensemble, Octave Transpose, Master Transpose, Fade In/Out, Tempo Lock, Style Change, Quarter Tone Arabic Scale (with dedicated buttons in Quarter Tone version), User Scale memorized inside Performance/STS, Search, Lyrics, Score, Marker, Dial, Tempo, Metronome, Split
Connections
Control Inputs: Damper Pedal, Assignable Pedal/Footswitch
Line Out: 2 Unbalanced Jack Left/Mono and Right, Headphones
Line In: 2 Unbalanced Line In Jacks
MIDI: In, Out Midi connectors - USB to Midi using the USB Device port - 8 user definable MIDI Preset
USB
USB-MIDI Interface
To Device: 1 (Rear)
To Host: 1 (Rear)
2.0 Hi Speed connections
Mass Storage/Disk
USB
Amp/Speaker System
Amplification: 15W x 2
Speakers: 100 mm x 2 Double Cone Speakers in Bass Reflex Box
Power
Power Supply: AC 100-240 V
Power Consumption: 20 Watt
Dimensions
1,030 x 378 x 127 (W x D x H) mm without music rest
Weight
10 kg
Accessories
Owner’s Manual, Music Stand, Accessory DVD (including Video Manual), AC Cable

korg pa 800

korg-pa800-head

Keyboard 61 keys with Velocity and Aftertouch
System OPOS (Objective Portable Operating System) and RX (Real eXperience) Technology – Multitasking, Load while play feature – Upgradable Operative System - SSD Solid State Disk
Tone Generator KORG EDS (Enhanced Definition Synthesis) sound generator: 120 Voices, 120 Oscillators – Filters with Resonance - Three band EQ for each track
Effects 4 Stereo Digital Multi-Effect systems – 124 Effects types plus VOCODER – Final semiparametric three band EQ - Voice Processor Technology by TC Helicon: Three-part Harmonizer, Reverb, Delay, Compressor, EQ
Sounds-Drum Kits More than 950, including a Stereo Piano and GM Level 2 compatible Sounds, 64 Drum Kits - User area: 256 Sounds, 64 Drum Kits - Dynamic Nuance Control (DNC) Technology - Digital Drawbars: 9 Footages - Realtime control: Assignable Sliders - Full editing of Sounds and Drum Kits - Sampling: Record, Edit, Time Slice, Load/Import of Korg, Wav, Aiff and Akai files - Export of Wav and Aiff files - PCM RAM Memory: 64 MB standard
Styles More than 400 preloaded Styles, SSD-resident, freely reconfigurable - Up to 960 available Style locations including the Favorite banks - Eight Style tracks, 4 Single Touch Settings and one Style Performance per Style - Guitar Track, Parallel and Fixed NTT - Compatible with old "i-Series" and Pa series Style format - Style Record with Step Record, Track and Event Edit functions - Style controls: 4 Variations, 3 Fills, 3 Intros, 3 Endings, Synchro Start/Stop, Tap Tempo/Reset, Fade In/Out, Bass Inversion, Manual Bass, Tempo Lock, Memory, Accompaniment/Real Time Track Balance Volume, Accompaniment Mute, Drum Mapping, Snare & Kick Designation, Single Touch
Performance/STS 320 Realtime Performance locations - STS: Memorize Realtime tracks and Voice Processor settings, up to 4 x 960 Styles, up to 4 x SongBook entries
Realtime Tracks Four Keyboard tracks (Upper 1, 2, 3, Lower) - 4 Pad tracks
Song Play Patented XDS Crossfade Dual Sequencer player - 2 Sequencers with separate Select, Start/Stop, Home, Rewind and Fast Forward controls - Balance control - Lyrics data can be displayed on-screen, or on an external video monitor (with VIF4 option installed) - Score - Markers - Jukebox function - Compatible with SMF (formats 0 and 1) and MP3 (with MP3 option installed)
Sequencer Quick Record (Backing Sequence), Multitrack and Step Record functions - Full-featured sequencer - 16 tracks - Up to 200,000 events - SMF native format
SongBook Fully programmable music database, based on Styles, SMF, Karaoke, MP3 (with MP3 option installed) with automatic selection of Style Play and Song Play modes - User-definable custom lists - Filtering options
Compatibility "i-Series" models: Styles - Pa series: Style, Performance, Program/Sound, Song, SongBook, Pad
Multi Pad 4 Assignable Pads + Stop Button - Pad Record function
Help System Hypertextual, Contextual, Multilingual
General Controls Master Volume, Real Time-Acc/Seq Balance Volume, Ensemble, Octave Transpose, Master Transpose, Style Change, Quarter Tone and Arabic Scale memorized inside Performance/STS - Realtime controllers: Joystick (pitch + modulation), 2 Assignable Sliders, 2 Assignable Switches, Dial, Up/+, Down/- - Search Function
Control Inputs Damper Pedal (support half-pedaling with optional DS-1H pedal), Assignable Pedal/Switch, EC-5 (Programmable Multi-Switches)
Analog Output Unbalanced Jack Left/Mono, Right, Out 1, Out 2, Headphones
Analog Input 2 Unbalanced/Balanced (automatic switch) Jack Line In with separate Gain control
MIDI In, Out, Thru standard Midi connectors- USB to Midi using the USB Device port - Individual track assignment - 8 user definable MIDI Setups
USB 2 Host Front/Rear (2.0 Hi Speed) and 1 Device Rear (1.1 Full Speed) connections
Hard Disk Optional 2.5" ATA Hard Disk Drive - Require HDIK-1 installation kit
DVD-CD Player - Floppy Disk Optional standard USB CD-Drives to be connected to USB Host port
Display 320 x 240 pixels, Color TouchView Graphic Touch Screen
Amplification 2 x 22 W - Loudness - Fixed EQ
Speakers 4 Speakers (10 cm Woofers + Tweeters) - 2 way in Bass Reflex Box
Consumption 40 Watt
Dimensions 1110 / 43.7" (W) x 388 / 15.3" (D) x 181 / 7.1" (H) mm / inch without music stand
Weight 13.3 kg / 29.3 lbs
Accessories Manual, AC Power Cable, Music Stand, CD-Rom

korg pa3x

Versions International, Musikant (Germany and Austria only), Oriental (Lebanon and Syria only)
Keyboard 76 or 61 semi-weighted keys with Velocity and Aftertouch
System OPOS (Objective Portable Operating System) – Multitasking, Load while play feature – Upgradable Operative System - Self-Refresh battery for PCM data
Tone Generator KORG EDS (Enhanced Definition Synthesis) sound generator: 120 Voices, 120 Oscillators – RX (Real eXperience) Technology - DNC (Defined Nuance Control) - Natural Ambience Drums Sound - Filters with Resonance - Three band EQ for each track
Effects Up to 8 Stereo Digital Multi-Effect block systems – 140 Effects types including VOCODER – Final Mastering Effects by WAVES (MaxxEQ™, MaxxBass™, MaxxTreble™, MaxxStereo™, MaxxVolume™) - New Voice Processor Technology by TC Helicon®: Four-part Harmonizer, Double, µMod, Reverb, Delay, Filter, HardTune, Pitch Correction plus Compressor, EQ, Gate (Adaptive Mic Setting on the Mic input)
Sounds-Drum Kits More than 1100, including Stereo Piano and GM Level 1 & 2 compatible sounds; more than 90 Drum Kits - User area: 512 Sounds, 128 Drum Kits - Defined Nuance Control (DNC) Technology - Real Drum Ambience  -
Digital Drawbars: 9 Footages - Realtime controls: Assignable Sliders - Full editing of Sounds and Drum Kits -
Sampling: Record, Edit, Time Slice, Compression Tool, Load/Import of Korg, Wav, AIFF and Akai files; Export of Wav and AIFF files - PCM RAM Memory: 128 MB standard (equivalent to 256 MB linear data), expandable up to 256 MB (equivalent to 512MB linear data) with the optional EXB-M256 memory expansion board
Styles More than 400 preloaded Styles, freely reconfigurable - 1200 available Style locations including the Favorite banks - Eight Style tracks, 4 Single Touch Settings, 4 Pads and one Style Performance per Style Guitar Track 2 mode, Parallel and Fixed NTT - Compatible with old "i-Series" and Pa series Style format - Style Record with Step Record, Track and Event Edit functions - Style controls: 3 Intros, 4 Variations, 4 Fills, Break, 3 Endings, Synchro Start/Stop, Tap Tempo/Reset, Fade In/Out, Bass Inversion, Auto Fill, Manual Bass, Tempo Lock, Memory, Accompaniment/Real Time Track Balance Volume, Accompaniment Mute, Drum Mapping, Snare & Kick Designation, Single Touch
Chord Sequencer Realtime Style Chord Sequencer Recorder
Performance/STS 512 Realtime Performance locations - STS: Memorize Realtime tracks and Voice Processor settings, up to 4 x 1200 Styles, up to 4 x SongBook entries
Realtime Tracks Four Keyboard tracks (Upper 1, 2, 3, Lower) with dedicated on/off and sound select buttons - 4 Pad tracks
Song Play Patented XDS Crossfade Dual Sequencer Player compatible with MID (formats 0 and 1), MID+G, KAR, MP3 + lyrics, MP3+G files - 2 Players with separate Select, Start/Stop, Home, Rewind and Fast Forward controls - X-Fader Balance control - Lyrics and Chord data can be displayed on-screen, or on an external video monitor (with VIF4 option installed) - Score - Markers - Jukebox function
MP3 Player/Recorder Double MP3 Player and MP3 Recorder. Possibility to Play two MP3 files at the same time in Song Play Mode with Real Time Transpose (+6/-5 semitones) and Tempo change(±30%) - Record MP3 files including Styles, SMF, Real Time Tracks, Pads, Microphone and Effects - Advanced Vocal Remover Record MP3 files including Styles, SMF, Real Time Tracks, Pads, Microphone and Effects - Audio Chord detection for Vocal Harmony
Sequencer Quick Record (Backing Sequence), Multitrack and Step Record functions - Full-featured sequencer - 16 tracks - Up to 200,000 events - SMF native format
SongBook Fully programmable music database, based on Styles, SMF, Karaoke, MP3 with automatic selection of Style Play and Song Play modes - User-definable custom lists - Filtering and Ordering options
Compatibility "i-Series" models: Styles - Pa series: Style, Performance, Program/Sound, Song, SongBook, Pad
Multi Pad 4 Assignable Pads + Stop Button - Pad Record function
Help System Hypertextual, Contextual, Multilingual
General Controls Master Volume, Real Time-Acc/Seq Balance Volume, Ensemble, Octave Transpose, Master Transpose, Style Change, Quarter Tone and Arabic Scale memorized inside Performance/STS - Realtime controllers: Joystick (pitch + modulation), Ribbon Control, 8 Assignable Sliders, MP3 Volume, Mic Volume, Mic Harmony/Double Vol., Mic Reverb/Delay Vol., 3 Assignable Switches, Tempo +/-, Dial, Up/+, Down/- - Search Function
Control Inputs Damper Pedal (support half-pedaling with optional DS-1H pedal), Assignable Pedal/Switch, EC-5 (Programmable Multi-Switches)
Analog Output Unbalanced/Balanced Jack Left/Mono, Right/Mono, Out 1, Out 2, Headphones (in the front panel)
Digital Output S/P DIF (48 kHz - coaxial) mirroring the Main Stereo Outputs
Line Input 2 Unbalanced/Balanced Jack Left/Mono, Right/Mono
Microphone Input Combo XLR balanced with Gain control (20 to 55 dB) and switchable Phantom Power
MIDI In, Out, Thru standard Midi connectors- USB to Midi using the USB Device port - Individual track assignment - 8 user definable MIDI Setups
USB 2 USB Host Front/Rear (2.0 Hi Speed) and 1 USB Device Rear (1.1 Full Speed) connections
Hard Disk Pa3X 76 keys: standard internal 2.5" ATA Hard Disk Drive
Pa3X 61 keys: standard 4 GB memory USB - Optional 2.5" SATA Installation kit (not including HD)
DVD-CD Player - Floppy Disk Optional using standard USB DVD/CD/FD Drives to be connected to USB Host ports
Display Pa3X 76 keys: Motorized Tilt Display - Resolution: 320 x 240 pixels - TFT Color TouchView Graphic Touch Screen
Pa3X 61 keys: Display - Resolution: 320 x 240 pixels - TFT Color TouchView Graphic Touch Screen
Clock Internal System Clock
Consumption 35 Watt - 50 Watt when connected with optional Amplification Bar (PaAS)
Dimensions Pa3X 76 keys: 1192 x 366 x 145 mm / 46.93 x 14.41 x 5.71 inch without music stand and with the display fully lowered
Pa3X 61 keys: 980 x 366 x 145 mm / 38.58 x 14.41 x 5.71 inch without music stand
Weight Pa3X 76 keys: 17.5 kg / 38.58lbs
Pa3X 61 keys: 14.7 kg / 32.4 lbs
Accessories Manual, AC Power Cable, Music Stand, Accessory Disk
korg-pa3x-head

korg pa 600

 korg-pa900-head
Keyboard 61 keys semi–weighted Velocity sensitive and after touch are supported System Upgradable Operating System RX (Real eXperience) DNC (Defined Nuance Control) Multitasking - Load while play feature Tone Generator KORG EDS (Enhanced Definition Synthesis) sound generator 128 Voices, 128 Oscillators Filters with Resonance Three band EQ for each track Effects Up to 4 Stereo Digital Multi-Effect block systems 125 Master Effect types + 2 Global Effects Voice Processor Three-part Harmonizer by TC Helicon® with 4 Effects: Reverb, Delay, plus Compressor, and EQ Sounds / Drumkits More than 1100, including Stereo Piano and GM/GS improved sound compatibility; more than 70 Drum Kits User area: 512 Sounds, 128 Drum Kits Defined Nuance Control (DNC) Technology Digital Drawbars: 9 Footages Full Sounds/Drumkits editing capability User PCM RAM Memory: 192 MB Full Sampling Editing Compatibility: Load/Import of Korg, Wav, AIFF and SoundFont™; Export of Wav and AIFF; Edit, Time Slice. Styles More than 400 preloaded Styles, freely reconfigurable 1200 available Style locations including the Favorite banks Eight Style tracks, 4 Single Touch Settings, 4 Pads and one Style Setting per Style Guitar Track 2 mode, Parallel and Fixed NTT Style Record with Step Record, Track and Event Edit functions Style controls: 3 Intros, 4 Variations, 4 Fills, Break, 3 Endings, Synchro Start/Stop, Tap Tempo/Reset, Bass Inversion, Auto Fill, Manual Bass, Memory, Accompaniment Mute, Drum Mapping, Snare & Kick Designation, STS Mode Chord Sequencer Real-time Style Chord Sequencer Recorder Performance / STS 320 Realtime Performance locations STS: Memorize Keyboard tracks settings, up to 4 x 1200 Styles, up to 4 x SongBook entries,"My Setting" function Song Play Patented XDS Crossfade Dual Sequencer Player (Supported formats: MID, KAR, MP3 + lyrics, MP3+G) 2 Players with separate Select, Start/Stop, Home, Rewind and Fast Forward controls X-Fader Balance control Lyrics, Score, and Chord data can be displayed on screen, or on external video monitor Markers Jukebox function Mp3 Player / Recorder Double Mp3 Player and Mp3 Recorder Real Time Transpose (+6/-5 semitones) Tempo change (±30%) Vocal Remover Record MP3 files including Styles, SMF, Real Time Tracks, Pads, Microphone and Effects Sequencer Quick Record (Backing Sequence) Multitrack and Step Record functions - Full-featured sequencer 16 tracks; Up to 200,000 events SMF native format SongBook Fully programmable music database, based on Styles, SMF, Karaoke, MP3 with automatic selection of Style Play and Song Play modes User-definable custom lists Filtering and Ordering options Compatibility "i-Series" models: Styles Pa series: Style, Performance, Program/Sound, Song, SongBook, Pad Multi Pad 4 Assignable Pads + Stop Button - Pad Record function General Controls Master Volume; Fade In/Out; Keyboard-Acc/Song Balance Volume; Ensemble; Octave Transpose; Master Transpose; Style Change; Quarter Tone and Arabic Scale memorized inside Performance/STS; Real-time controllers: Joystick (pitch + modulation); Mic Volume; Mic FX Volume; Mic On/Off; Mic Preset; Mic Harmony On/Off; 3 Assignable Switches; Tempo +/-; Tempo Lock; Dial; Search Function; Shift; Chord Scan; Split; Metronome On/Off; Sound Select Control Inputs Damper pedal (support half-pedaling with optional DS-1H pedal) Assignable pedal/switch Outputs Audio Output: Left/Mono, Right/Mono, Unbalanced Headphone Output: 1 (in the front panel) Video Out: 1 RCA type Mic/Line Inputs 2 Unbalanced Jack; Left/Mono-Mic, with gain control and Right/Mono MIDI In, Out; standard Midi connectors USB to Midi using the USB Device port 8 user definable MIDI Setups USB USB-MIDI Interface To Device: 1 (Front) To Host: 1 (Rear) 2.0 Hi Speed connections Mass Storage/Disk USB - Micro SD HC up to 32 GB (rear panel, user installable) Display Color TouchView™ 7" TFT display Clock Internal System Clock Amp/Speaker System Amplification: 20W x 2 - Speakers: 100 mm x 2 woofer in Bass Reflex Box, Dome tweeter x 2 Power Consumption 20 Watt; 100-240v 50/60 Hz Dimensions 1,030 x 378.3 x 138.8 mm / 40.55 x 14.89 x 5.46 inches (without music stand) - (W x D x H) Weight 10.76 kg / 23.72 lbs Accessories Manual, AC Power Cable, Music Stand, DVD-ROM Options EXP-2 - Expression/Volume Pedal XVP-10 - Professional Expression/Volume Pedal DS-1H - Damper Pedal PS-1/PS-3 Switch Pedal Please note: Technical specifications are subject to change without notice.

eurolive behringer EUROLIVE B115W

B115WEUROLIVE B115W Active 2-Way 15" PA Speaker System with Bluetooth* Wireless Technology, Wireless Microphone Option and Integrated Mixer High-Power 1,000-Watt 2-way PA sound reinforcement speaker system for live and playback applications Ultra-compact and lightweight system delivers excellent sound even at extreme sound pressure levels High-performance Bluetooth* A2DP technology to stream audio wirelessly from any Bluetooth-compatible device "Wireless-ready" for high-quality BEHRINGER digital wireless microphone system (not included) 2-channel mixer with individual Mic/Line inputs, Volume controls and Clip LEDs Dedicated 2-band EQ plus integrated sound processor for ultimate system control and speaker protection A portable PA system should be... well, in a word—portable! And easy to use, even for someone who’s never plugged-in a microphone. Our engineering team has created two self-contained, easy-to-use PA systems that are compact, lightweight and powerful—plus built-in wireless microphone and Bluetooth connectivity that makes setup a breeze! Bluetooth Stereo-Ready The days of tape decks, CD players and even MP3 devices are long gone. Now your music lives on your phone or computer tablet, so you can stop searching for those outdated cables and fancy adapters. Now with a simple wave of your hand, you can stream music from any Bluetooth audio-equipped device such as your iPad, iPod touch, iPhone, even your laptop computer. Plus, two B115W/B112W can provide true stereo performance via their Stereo Link function, making them the first active loudspeakers in this class to offer this capability. Now, isn’t that easy? Built-in Mixer & Wireless Option Both models feature built-in 2-channel mixers with the same ultra-low noise, high-headroom mic preamps that have made BEHRINGER mixers legendary. Also included is 2-band equalizer, plus Bluetooth for streaming audio directly from your iOS device, and our proprietary ULM wireless technology. Sold separately, BEHRINGER ULM Series digital mics integrate seamlessly to expand your B115W/B112W system to handle virtually any live sound application. Whether you set your B115W/B112W speakers on a table, or mount them on a pair of optional speaker stands, you’ll enjoy music streaming through this rich sounding, easy-to-setup system in mere moments. Cut the Fat; Keep the Beef We drew from our considerable experience to build these performance-grade loudspeakers and made them lighter (B115W: 38 lbs./17.2 kg; B112W: 32 lbs./14.5 kg) and more powerful. We started with custom-engineered Class-D power amps for the ultimate in low-distortion power and efficiency. Backed by SMPS (Switch Mode Power Supply) technology, the high-tech alternative to heavy transformers and massive heat sinks, these loudspeakers can run cool all day and all night without even breaking a sweat! Power and Control There is absolutely no substitute for amplifier power in high-performance loudspeakers; the kind of power it takes to deliver clean, in-your-face vocals and chest-thumping bass day in and day out. That’s why we gave these bad boys 1000 Watts of bi-amplified, digitally processed output power. Custom-Engineered Transducers Powerful, high-efficiency Class-D amplifiers and Switch Mode Power Supply technology coupled with state-of-the-art DSP functionality sure sounds impressive—but what about the part of the system you actually hear? We never cut corners on our transducers (woofers and tweeters), and we never just pull what we have off the shelf. Our LF (Low Frequency) and HF (High Frequency) transducers are designed specifically for each application—it’s what sets us apart from the competition. When you buy a BEHRINGER active loudspeaker, you can rest assured that the transducers inside have been engineered to perform flawlessly in conjunction with every other element for truly professional results. B115W and B112W active speaker systems crank out massive quantities of low end, with articulate, detailed mids and crystal-clear highs. Extraordinary Versatility Thanks to its trapezoidal shape, the B115W and B112W are suitable for a wide variety of applications. They can be mounted on standard speaker poles, placed vertically atop subwoofers, or even laid on their side for use as onstage monitor wedges. Their extraordinary fidelity and frequency response make them a favorite of vocalists and instrumentalists alike. Hook up is simple, requiring only a single XLR or 1/4" cable from your mixing console and power. Additional monitors can be chained together via the XLR Mix Output jack on the rear panel. Which Speaker Should I Buy? Well, let’s start with your application… are you giving a speech in a hotel ballroom—or rocking out at the local bar or dance club? Whether to choose one speaker cabinet over another depends on your bass requirements. A 15" woofer has about 40% more surface area with which to move air than a 12" and that translates into more bass. So if you’re addressing a small meeting, or jamming at the coffee house, the B112W might be all you’ll ever need. But if you’re providing disco in a busy nightclub, hosting Karaoke night in your living room, or just need to crank it up louder, then the B115W may be a better choice. Sound Value EUROLIVE active PA loudspeakers stand head and shoulders above the rest of the pack and deliver exceptional performance, even when pushed to their limits. Lightweight and powerful, with built-in mixers, custom-designed transducers, and integrated wireless functionality, B115W and B112W active loudspeakers are ideal for both speech and music applications—at a price that is unheard of in this class. Experience the B115W and B112W at your local dealer today and find out why more and more professionals are turning to BEHRINGER EUROLIVE Series active loudspeakers for their superb performance and extraordinary value. NOTE: Bluetooth audio streaming performance and range vary by make and model of smart phone and can be affected by Wi-Fi networks or wireless microphones such as the BEHRINGER ULTRALINK. Avoid use of Bluetooth audio streaming where such devices are in use. You Are Covered We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world. As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program.

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Wednesday, January 29, 2014

Cara membuat aplikasi BlackBerry

Diakui atau tidak, kemampuan dalam membuat aplikasi untuk berbagai platform seperti BlackBerry, Android, iPhone, dan lainnya merupakan dambaan banyak orang. Betapa tidak, telah tak terhitung jumlahnya orang, kelompok atau bahkan badan usaha yang kemudian dikenal banyak orang dan mendapatkan keuntungan materi pasca mereka mampu membuat aplikasi.
Cara membuat aplikasi BlackBerry

Lantas, sulitkah cara membuat aplikasi BlackBerry, iPhone, atau Android tersebut? Sebenarnya persoalan susah atau gampang hanya berkutat pada cara pandang. Kalau sedari awal Anda berpikir bahwa membuat aplikasi itu susah, maka jangan harap akan mudah dalam mengerjakannya. Hal tersebut juga berlaku sebaliknya.
Kali ini Saya akan mempersembahkan cara membuat aplikasi BlackBerry. Patut diketahui, bahwa cara membuat aplikasi BlackBerry sebenarnya tak terlalu repot. Anda cukup belajar sedikit ihwal bahasa pemrograman Java. Dan inilah langkah demi langkah cara membuat aplikasi tersebut.
Munculkan Ide atau Gagasan
Bagaimanapun bahwa ide merupakan bahan baku awal ketika ingin membuat sesuatu, begitu juga ketika hendak melakukan step by step cara membuat aplikasi BlackBerry. Maka langkah pertama, Anda harus menentukan dulu aplikasi seperti apa yang akan Anda buat.
Belajar Bahasa Pemrograman Java
Kalau Anda sudah mendapatkan ide, maka langkah selanjutnya dalam cara membuat aplikasi BlackBerry adalah mempelajari bahasa pemrograman Java. Untuk hal ini, ada banyak cara yang bisa dilakukan, bisa belajar dari buku, menyewa mentor, atau mencari sumber di internet dan dipelajari secara otodidak. Beberapa tutorial bahasa pemrograman bisa Anda telusuri di internet, dan salah satu tutorial resminya Anda bisa masuk ke sini.
Download Java Development Kit (JDK)
Software yang satu ini berfungsi dalam melakukan kompilasi dan menjalankan program bahasa Java. Dalam langkah-langkah cara membuat aplikasi BlackBerry ini, Anda dipastikan memerlukan software yang satu ini versi 1.6/6.0 yang bisa di-download di sini.
Download Eclipse
Eclipse akan membantu Anda dalam membuat pemrograman Java menjadi lebih mudah. Lebih mantapnya lagi, ternyata BlackBerry sudah memiliki plugin yang bekerja langsung dengan Eclipse. Install Eclipse dan Andapun tinggal meng-install-nya.
Pelajari Tutorial Sederhana Dari BlackBerry
Ternyata BlackBerry juga menyediakan tutorial sederhana untuk membantu Anda dalam cara membuat aplikasi BlackBerry. Anda bisa mendapatkan di sini. Meskipun terbilang sederhana, namun merupakan konsep dasar untuk membuat sebuah aplikasi BlackBerry yang canggih.
Publikasikan Aplikasi Anda
Untuk apa sebuah karya kalau tak bisa dinikmati oleh banyak orang. Anda akan mendapatkan manfaat dengan mempublikasikan hasil karya aplikasi BlackBerry Anda sehingga semua orang bisa mengaksesnya. Andapun kemungkinan besar akan mendapatkan bayaran dari kerja keras Anda membuat sebuah aplikasi, terlebih jika apa yang Anda buat disenangi dan dipakai banyak pengguna BlackBerry. Nah untuk itu, Anda perlu mendaftarkan karya aplikasi Anda ke AppWorld di sini. Selamat berkreasi dan berkarya!

Balinese Traditional House and Philosophy Contained in the Establishment

In studying the customs and culture of Indonesia, including Bali , not separated from the home studied Balinese . Bali custom home built by the rules that exist in the Vedic scriptures . The house construction must conform to the rules of Asta Kosala Kosali procedures governing the laying house . This rule may be almost similar to the rules of feng shui known in china .Balinese Traditional House and Philosophy Contained in the Establishment
RUMAH ADAT BALI GAMBAR 
BALI TRADITIONAL HOUSE PICTURES
There is a philosophy behind the construction contained in Balinese traditional house . Custom home in Bali is a reflection of the condition of the existing society . There are three aspects or values ​​that should be contained in a custom home in Bali . According to the Balinese , harmony in the society will be realized JILA someone capable of realizing synergistic relationship between pawongan ( residents ) , palemahan ( the environment of the house where it is located ) , and parahyangan . Construction of houses in Bali must meet these three aspects , which are commonly referred to as the Tri Hita Karana .
Most homes built in traditional Balinese other than on the basis of three aspects of earlier , well built and decorated with knickknacks such as wood carvings , but seem natural color contrast . In any decorations or knick - knacks that exist in a traditional house in Bali , no philosophy or meaning adopted : for example the presence of the sculptures is a symbol of their worship to the creator, or thanks to the gods .Reflection of Balinese Culture
TRADITIONAL HOME BALI


RUMAH ADAT BALIBalinese society is a society that upholds the culture , and it is reflected in the daily habit of architecture and buildings that were there : be it Balinese traditional house which they occupy , public buildings , places of worship , and others . Formerly, each custom homes in the occupied Bali consists of several small buildings united by a fence that surrounds the house . With the development of the architectural model and the development era , the house in Bali now no longer consists of several separate buildings .
As reviewed in the article above , the construction of custom homes in Bali is guided by the ejection Asta Kosala Kosali and in accordance with the principle of Tri Hita Karana . Each custom home is built there must meet these principles because the Balinese upholds the rule of life contained in the scriptures and the guidance of hereditary custom . Every thing that is written in the scriptures always ditati by the people of Bali , because Bali is known as the community residents who emnjunjung high culture and customs . For more details , maybe you can find some information about Bali and testimony custom homes and custom homes of Bali and its function . The existence of custom home is part of the Indonesian nation's wealth of cultural treasures .

Central Java Joglo Traditional House and his trademark

The diversity of Indonesian culture is also reflected in the Central Javanese traditional house must have been very well known by many people of Indonesia. This time we will discuss the uniqueness and diversity of the characteristics of the Central Javanese Joglo traditional house , which must have been very well known throughout the country . Joglo house is very well known by many people , especially people of Central Java . Joglo house is a skeleton that forms the custom homes in Central Java and the pillar of the form consists of four main pillars or pillars and beams intercropping arrangement that is supported by the pillar of the .Traditional House in Central Java
http://alatmusiktradisional.com/wp-content/uploads/2013/04/rumah-adat-jawa-tengah-joglo.jpgcustom house central java joglo
Socially , many of which have not previously traditional house because this house is a symbol of social status for the people of Java that have the economic ability of excess . Joglo is a type of house that requires a lot of expensive homes resource materials , especially wood . Generally homeowners Joglo formerly derived from the royalty or nobility . Houses of this type usually require large tracts of land because some parts of the house used to receive guests or load a lot of people .The parts in traditional house in Central Java
Generally part of Central Java traditional house consists of three main parts : pendhopo , pringgitan , and omah ndalem or omah njero . Pendhopo is part of the house that is usually used to receive guests . Pringgitan is part of the living room that is used for the puppet show ; derived from the root word " ringgit " , which means puppet . The third part is omah ndalem or omah njero , which is a family room . In omah njero there are three rooms ( senthong ) , namely senthong right, center , and left .
Judging from its structure , custom homes in Central Java might look more simple . Construction of the house as part pendhopo requires four pillars to support the establishment of the home . Poles is called the cornerstone of which is also a symbol determinant of the direction of the wind . Of the four fundamental pillars of these , there are also intercropping is inverted arrangement that propped cornerstone of. Ndalem or omah njero used as the core of a Joglo . Judging from the spatial structure , part ndalem have 2 different heights . It is intended that there is a space where air circulation .
Joglo is a type of Javanese traditional house that looks simple and is used as a symbol or a marker of social status or aristocratic Javanese aristocracy . This house has its own uniqueness or distinctiveness in the presence of pillars or pillar teacher , along with his intercropping . Every part of the house represents a different function , which is built on the vast land is also , therefore , this house belongs to only one of the propertied . Some other important things about custom homes in Central Java you can find from other sources , from wikipedia .

Pendet Welcome To Welcome To Gods - Gods

There is a beautiful dance called Pendet is a beautiful dance from Bali , this dance is one of the most sacred tribal dance when compared with other traditional dance because dance pendet use mystical elements that are in it . Traditional dance is symbolized aa reception Pendet gods coming down from the top into the world and penetrated the soul is dancing. Traditional dance Pendet quite a bit difficult to do the dance and for people who are already experts can dance , because for those who do not know will have difficulty in balancing ,Pendet Welcome To Welcome To Gods - Gods

TARI PENDET DARI BALIPendet FROM BALI
Pendet dance is just a welcome to the gods who are in another world to enter the human realm , they give gods - gods that aims to welcome the god - the god of love and feel comforted because of the rave reviews . So god - the god of love with Pendet to dwell on earth and provide special benefits for his community and also serves as a protector of society .
Pendet Nor Couple Do It Group
Pendet Traditional dance is performed by means of pairs - male and female couple or with a group can also be done by men whose mass is usually done on the mountain . Clothing available on Pendet include tapih wearing green , red parchment , angkin prada yellow and red shawl plain without motive . As for the decoration used pendet dancers include hair sasak and use frangipani flowers , roses, clover and flowers Sandat who have a pattern of rules and the composition of each - each well was placed in a curved or elongated decara .
For completion Pendet dance usually mengginakan bowl is decorated with leaf ornament , with its own customized pieces motif according to the penarri , also with a bias motive lozenges slices or with the incorporation of existing motifs . Pendet itself is done with graceful movements without power , for pendet dance usually performed by female dancers with dynamic movement patterns that are usually performed during ceremonies or special events held in Bali to bring sengku , a pitcher , or cup with equipment offerings specifically for the show.
At Pendet dance Initially established in 1950 , when he first created this dance is usually performed only for the ceremony - a special ceremony only, but now many are showing this pendet dance in various places as a form of art appreciation and a desire to learn more pendet dance remote as well as for the development of culture Pendet .

Dance Central Java Gambyong Ah Tradition

Gambyong dance is a dance that originated from Central Java , Surakarta precisely . This dance is a dance performed in order to enliven the event or wedding receptions are often also played to welcome the guests . What makes it seem so different from other dances gambyong this dance is always preceded by Gending pickaxe . This dance was very beautiful diliat or seem so outrageous when sipenari dancing in tune with the rhythm of music mengirinya , especially when he is so wahhh when moving in rhythm with the drum sound is one of the main attraction gambyong dance .

http://alatmusiktradisional.com/wp-content/uploads/2013/03/tari-gambyong.jpgA drummer drums in this dance is not a person who recklessly because he should be able to adjust to liak - contortion of the body of the dancer but also have to keep in tune with gising . Therefore , sipenari will not be able to dance well without being accompanied by matching sound with rocking drums . So selarasnya between the sound of drums and sipenari gambyong make these two things can not be separated .
dance gambyongDance Gambyong Instruments
Musical instrument or instruments that are typically used to accompany the dance are as follows :

   
kendhang
    
gender
    
successor gender
    
bonang
    
kenong
    
kempul
    
gong
History of Dance Gambyong
At the beginning of this dance but the dance is also staged street by street dancers commonly referred to as Tledek ( Java Language ) . Tledek the name of this dance is Gambyong , he was very well known in nearly all regions of Surakarta on Pakubowono Sinuhun Period IV ( 1788 s / d 1820 ) . The figure of the dancer who is so very beautiful and of course she can also dance is very beautiful and so lovely and plus it also has a melodious voice , so it can not be denied again he became very famous at that time . And since that's the dance that plays dance dubbed Gambyong .motion Dance
At the center of this dance lies in the overall motion of the legs, arms , body , and head . Head movement and also the hand that once felt so conceptualized is the main characteristic Gambyong dance . Additionally eyes always accompany or follow every movement of your hand by looking at the direction of the fingers of the hand also is very dominant . Besides footwork so harmonious dance tune made ​​gambyong look so very fantastic .

Jaipong dance from West Java

There is a dance called Dance Jaipong which is a dance that originated from West Java , precisely in the city of Bandung . This dance was created by a famous artist in the city of Bandung which is inspired by folk art called Tap Tilu so that he can understand the ins and outs and patterns - the pattern is fundamentally about the beauty that exists in traditional and applying it in a Traditional Dance Jaipong .Jaipong Dance : The Origin
http://alatmusiktradisional.com/wp-content/uploads/2013/04/TARI-JAIPONG.jpgJaipong Dance
She studied dance - traditional dances and other artistic patterns and learn the beauty of his art which is then poured in a whole new dance without copying existing dances , but the idea is still fresh . Dance Jaipong first known by the public is a dance named " Leaf pulus KESER Bojong " bojjong rending and also very well known by the public . Early attendance is considered dance as a dance community that is too vulgar and inappropriate to be displayed to the general public , and the dance is also reaping a lot of pros and cons of media - electronic media such as radio , newspapers , and television .
Change Up Now
This Jaipong dance at first because it was considered less desirable by society too vulgar , but the development of this dance Jaipur offers a blend with other styles . Which is now known as kaleran who have ibing pattern , the dance is danced with a very spontaneous , cheerful and eager . This dance is very different from the dances usually performed with erotic and vulgar movements , the dance is also used clothing that is more closed and polite when compared with KESER Bojong pulus leaves dance and also dances Bojong rending .
The number of professional dancers and dance Jaipong expert plays a glance the value added by the community , because the viewer a variety of experts who came from West Java to learn this dance then this dance with it also growing increasingly popular and well-known that this dance is now used in ceremonies welcome to guests from outside west Java dating to the west of Java as a guest . Sweet smile and a twinkle eyes of the female dancers is the most distinctive element in this dance , because it is the main part and the core of this dance .
And in the area kliningan located on the northern coast of western Java Jaipong also popularized the dance known as the West Java where kliningan doran wedge with the same pattern and even dance similar to tap dancing tilu previously named . Existence there was taken from the tilu tap dance which is then combined with the new movement , as well as a lot of changes - changes that make it different from the special dance jaipongan the origin of his famous dance makes Jaipong .